Varför förändras visionen när Ant-Man krymper?

Den visuella förändringen när Scott krymper för första gången speglar flera saker.

The filmmakers made extensive use of macro photography. Production designer Shepherd Frankel said, "It's more visually interesting to depict things from Ant-Man's point of view instead of seeing him from a normal perspective. But we wanted a realistic realization, not Honey, I Shrunk the Kids with its oversized set pieces." Rebecca Baehler served as the director of macro photography, taking cues from Carpenter. Carpenter said vibration became "a tremendous problem" when moving the camera during the macro photography because "one inch off the ground is like fifteen feet in the air. From an ant's perspective, you move four inches, to a human perspective, that's a football field!" The solution required the filmmakers to think outside of the box so they turned to Baehler, who had a background in "commercial 'tabletop' photography." In order to add Rudd's performance as Ant-Man when in the macro world a Centroid facial capture set up was used, with a 5-camera array of Alexas surrounding Rudd.

Foreshortening is the visual effect or optical illusion that causes an object or distance to appear shorter than it actually is because it is angled toward the viewer. Additionally, an object is often not scaled evenly: a circle often appears as an ellipse and a square can appear as a trapezoid.

En mer akut betraktningsvinkel introducerar mycket mer perspektivförvrängning. Att titta på Empire State Building från basen är väldigt annorlunda än från en mil bort.

Ävenmedenannanlins(idethärfalletorsakarennormalögonglobvsenögonglobsomärenbråkdelaventumbredd):

Men mest av allt är det i princip hur utsikten kommer att leta efter en myra . Som Pym säger i den scenen: Världen ser säkert annorlunda ut här, inte det, Scott?