I Star Trek: Insurrection sjunger Captain Picard och Worf En brittisk Tar från HMS Pinafore av Gilbert och Sullivan i ett försök att distrahera data.
Som Picard nämner i den scenen, repeterade Data låten för en prestanda ombord på företaget.
Men finns det en utomordentlig anledning till varför den specifika operetten valdes till filmen?
Memory Alpha ger en aning om att Patrick Stewart föreslog HMS Pinafore (när ursprungsplanen för scenen var att de skulle recitera från Shakespeare's King Lear ), med uppgift att citera boken Fade In: Från idé till sista utkast .
Ger boken Fade In: From Idea till Final Draft ytterligare information om den förändringen?
Citatet från den boken är:
Patrick was uncomfortable using Shakespeare in the ship battle with Data. “I don’t think the Lear quotes work,” he’d said in his notes. “It will be meaningless to most of our audience and I’m not sure I believe in what it is meant to do.”
The idea harkened back to the television series when Picard had taught Data about humanity by directing him in fully-recreated scenes from Shakespeare’s plays on the holodeck. We’d actually built one memorable episode around the themes of Henry V. In addition, I thought the King’s madness in Lear would provide a metaphor for Data’s erratic behavior.
Losing Shakespeare didn’t really bother me. But I felt we needed something like it. I argued that Picard would try every trick to safely capture Data before ever firing a weapon that might harm him. Patrick suggested, “Well, couldn’t I tell him some jokes that we both know or perhaps sing something from Gilbert and Sullivan?” And a new sequence was born
Men detta strider mot hans tidigare uttalanden att han bara inte är angelägen om deras verk
In the new Star Trek flick, Stewart's Picard has a lengthy scene with Worf and Data in which they sing "A British Tar" from Gilbert & Sullivan's HMS Pinafore. Again, to some surprise, it's not Stewart's cup of tea.
"I'm sorry, but i really don't like Gilbert & Sullivan," he says, shaking his head between his hands. "It's like the Marx Brothers. I've tried but I just don't get it."
Patrick Stewart berättar historien väldigt annorlunda. Tydligen var han inte angelägen, men alla hans andra förslag avvisades .
This is how it goes with putting movies together. Michael came up with this idea of "OK how do we distract Data? take him off guard with something that might just distract him for a moment". What he wrote was Shakespeare, rehearsing him in a scene from King Lear. Oh God it was deadly. It was nice, I mean King Lear's a great play but it's not the moment you wanted to have there. I don't recall whose idea it was but "maybe it's musical" came up. First of all, I said, anything that Tony Bennett sings is what we should do, because Brent has this beautiful tenor voice. They said it's obvious and corny and Rick is always reluctant to make 20th century references so overtly. And then Michael came up with the G&S. Now, just like the Marx Brothers, I don't get G&S. Never have. But I thought wait a minute I know what they should sing! Picture Picard and Data singing Three Little Maids . And they said "no that's vulgar, Patrick." And they came up with this song which I resisted and fought and said no it's boring but I was wrong. It's totally successful. So that's how the G&S came about. It works nicely. You're right, the counterpoint of the G&S and what they're actually doing is charming.
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