Jag har tittat på filmen och det handlar om det, jag har hört talas om hur det är så viktigt, men vad är det viktigt för?.
Jag förstår att det handlar om några pojkar på ett evakueringsflygplan från krig, deras flygplan kraschar och de hamnar på en ö, kvar för att överleva eller dö.
Här är en passage i plot :
In the midst of a wartime evacuation, a British aeroplane crashes on or near an isolated island in a remote region of the Pacific Ocean. The only survivors are boys in their middle childhood or preadolescence. Two boys—the fair-haired Ralph and an overweight, bespectacled boy nicknamed "Piggy"—find a conch, which Ralph uses as a horn to convene all the survivors to one area. Ralph is optimistic, believing that grown-ups will come to rescue them but Piggy realizes the need to organize: ("put first things first and act proper"). Because Ralph appears responsible for bringing all the survivors together, he immediately commands some authority over the other boys and is quickly elected their "chief". He does not receive the votes of the members of a boys' choir, led by the red-headed Jack Merridew, although he allows the choir boys to form a separate clique of hunters. Ralph establishes three primary policies: to have fun, to survive, and to constantly maintain a smoke signal that could alert passing ships to their presence on the island and thus rescue them. The boys establish a form of democracy by declaring that whoever holds the conch shall also be able to speak at their formal gatherings and receive the attentive silence of the larger group.
Jack organises his choir into a hunting party responsible for discovering a food source. Ralph, Jack, and a quiet, dreamy boy named Simon soon form a loose triumvirate of leaders with Ralph as the ultimate authority. Upon inspection of the island, the three determine that it has fruit and wild pigs for food. The boys also use Piggy's spectacles to create a fire. Though he is Ralph's only real confidant, Piggy is quickly made into an outcast by his fellow "biguns" (older boys) and becomes an unwilling source of laughs for the other children while being hated by Jack. Simon, in addition to supervising the project of constructing shelters, feels an instinctive need to protect the "littluns" (younger boys).
The semblance of order quickly deteriorates as the majority of the boys turn idle; they give little aid in building shelters, spend their time having fun and begin to develop paranoias about the island. The central paranoia refers to a supposed monster they call the "beast", which they all slowly begin to believe exists on the island. Ralph insists that no such beast exists, but Jack, who has started a power struggle with Ralph, gains a level of control over the group by boldly promising to kill the creature. At one point, Jack summons all of his hunters to hunt down a wild pig, drawing away those assigned to maintain the signal fire. A ship travels by the island, but without the boys' smoke signal to alert the ship's crew, the vessel continues without stopping. Ralph angrily confronts Jack about his failure to maintain the signal; in frustration Jack assaults Piggy, breaking his glasses. The boys subsequently enjoy their first feast. Angered by the failure of the boys to attract potential rescuers, Ralph considers relinquishing his position as leader, but is convinced not to do so by Piggy, who both understands Ralph's importance and deeply fears what will become of him should Jack take total control.
One night, an aerial battle occurs near the island while the boys sleep, during which a fighter pilot ejects from his plane and dies in the descent. His body drifts down to the island in his parachute; both get tangled in a tree near the top of the mountain. Later on, while Jack continues to scheme against Ralph, the twins Sam and Eric, now assigned to the maintenance of the signal fire, see the corpse of the fighter pilot and his parachute in the dark. Mistaking the corpse for the beast, they run to the cluster of shelters that Ralph and Simon have erected to warn the others. This unexpected meeting again raises tensions between Jack and Ralph. Shortly thereafter, Jack decides to lead a party to the other side of the island, where a mountain of stones, later called Castle Rock, forms a place where he claims the beast resides. Only Ralph and a quiet suspicious boy, Roger, Jack's closest supporter, agree to go; Ralph turns back shortly before the other two boys but eventually all three see the parachutist, whose head rises via the wind. They then flee, now believing the beast is truly real. When they arrive at the shelters, Jack calls an assembly and tries to turn the others against Ralph, asking them to remove Ralph from his position. Receiving no support, Jack storms off alone to form his own tribe. Roger immediately sneaks off to join Jack, and slowly an increasing amount of older boys abandon Ralph to join Jack's tribe. Jack's tribe continues to lure recruits from the main group by promising feasts of cooked pig. The members begin to paint their faces and enact bizarre rites, including sacrifices to the beast. One night, Ralph and Piggy decide to go to one of Jack's feasts.
Simon, who faints frequently and is likely an epileptic,[6][7] has a secret hideaway where he goes to be alone. One day while he is there, Jack and his followers erect a faux sacrifice to the beast nearby: a pig's head, mounted on a sharpened stick and soon swarming with scavenging flies. Simon conducts an imaginary dialogue with the head, which he dubs the "Lord of the Flies". The head mocks Simon's notion that the beast is a real entity, "something you could hunt and kill", and reveals the truth: they, the boys, are the beast; it is inside them all. The Lord of the Flies also warns Simon that he is in danger, because he represents the soul of man, and predicts that the others will kill him. Simon climbs the mountain alone and discovers that the "beast" is the dead parachutist. He rushes down to tell the other boys, who are engaged in a ritual dance. The frenzied boys mistake Simon for the beast, attack him, and beat him to death. Both Ralph and Piggy participate in the melee, and they become deeply disturbed by their actions after returning from Castle Rock.
Jack and his rebel band decide that the real symbol of power on the island is not the conch, but Piggy's glasses—the only means the boys have of starting a fire. They raid Ralph's camp, confiscate the glasses, and return to their abode on Castle Rock. Ralph, now deserted by most of his supporters, journeys to Castle Rock to confront Jack and secure the glasses. Taking the conch and accompanied only by Piggy, Sam, and Eric, Ralph finds the tribe and demands that they return the valuable object. Confirming their total rejection of Ralph's authority, the tribe capture and bind the twins under Jack's command. Ralph and Jack engage in a fight which neither wins before Piggy tries once more to address the tribe. Any sense of order or safety is permanently eroded when Roger, now sadistic, deliberately drops a boulder from his vantage point above, killing Piggy and shattering the conch. Ralph manages to escape, but Sam and Eric are tortured by Roger until they agree to join Jack's tribe.
Ralph secretly confronts Sam and Eric, who warn him that Jack and Roger hate him and that Roger has sharpened a stick at both ends, implying the tribe intends to hunt him like a pig and behead him. The following morning, Jack orders his tribe to begin a hunt for Ralph. Jack's savages set fire to the forest while Ralph desperately weighs his options for survival. Following a long chase, most of the island is consumed in flames. With the hunters closely behind him, Ralph trips and falls. He looks up at a uniformed adult—a British naval officer whose party has landed from a passing warship to investigate the fire. Ralph bursts into tears over the death of Piggy and the "end of innocence". Jack and the other children, filthy and unkempt, also revert to their true ages and erupt into sobs. The officer expresses his disappointment at seeing British boys exhibiting such feral, warlike behaviour before turning to stare awkwardly at his own warship.
Tydligen har allt detta en mening.
Vad är betydelsen bakom filmen Lord of the Flies?
Lord of the Flies (både film och bok) är signifikanta på några sätt ...
En är att pojkarna i slutändan delas upp i två fraktioner, och på grund av beteendemässiga skillnader mellan fraktioner utforskar arbetet naturen mot vård med skillnaderna mellan de som söker omsorg för andra och allmän överlevnad alla och de som försöka kontrollera , dominera eller förstöra tvinga en överlevnad av det fittesta scenariot - och vad händer när det blir tvunget på från en människa eller en grupp till en annan ???
Här är någons uppsats om Nature vs Nurture: länk
En annan aspekt av historien som jag tycker är ännu mer relevant för ett modernt första världsland, som Amerika, skulle vara symbolismen för "Piggy", som romanen använder den "feta pojken", i relation till överlevnaden av den fittestaste aspekten och begreppet "oskyldighet förlorad" . Jag skulle kunna föreställa mig att denna karaktärs förföljelse skulle slå hem mer än den kan ha när den skrivits, med tanke på den uppmärksamhet vi ger till begreppet "fat-shaming"
Detta leder mig till det faktum att roman / film också är en musning i krigstid, som den skrevs 1954, som är efter andra världskriget och under början av det kalla kriget. Pojkarna slocknar i sista hand i vildmark och håller därmed krigstema ut och visar de sanna ondskan i det mänskliga tillståndet som tydligen är hur William Golding kände om brutaliteten i andra världskriget.
Golding followed his parents’ wishes until his second year at Oxford, when he changed his focus to English literature. After graduating from Oxford, he worked briefly as a theater actor and director, wrote poetry, and then became a schoolteacher. In 1940, a year after England entered World War II, Golding joined the Royal Navy, where he served in command of a rocket-launcher and participated in the invasion of Normandy.
Golding’s experience in World War II had a profound effect on his view of humanity and the evils of which it was capable. After the war, Golding resumed teaching and started to write novels. His first and greatest success came with Lord of the Flies (1954), which ultimately became a bestseller in both Britain and the United States after more than twenty publishers rejected it. The novel’s sales enabled Golding to retire from teaching and devote himself fully to writing....
Lord of the Flies tells the story of a group of English schoolboys marooned on a tropical island after their plane is shot down during a war. Though the novel is fictional, its exploration of the idea of human evil is at least partly based on Golding’s experience with the real-life violence and brutality of World War II... http://www.sparknotes.com/lit/flies/context.html
Slutligen är flugaens herre full av både kristna och grekiska allegorier :
What’s amazing, is the way that Golding managed to seamlessly integrate multiple symbols throughout his novel to increase the impact and meaning of his work. The entire novel is one big “web of ironies” that uses symbols from Christianity alongside Greek Mythology and Ideology (Talon 1). This website will present several analyses of the various symbols and their backgrounds, that amplify Golding’s dark perception of mankind.
Här är en webbplats dedikerad till båda: länk
Läs andra frågor om taggar lord-of-the-flies Kärlek och kompatibilitet Skor Gear 12 Stjärntecken Grunderna
Frågan handlar om handlingsekonomi. Jag vill veta om du behöver slutföra en kontinuerlig åtgärd för att starta en omedelbar åtgärd. Jag är bara intresserad av RAW-svar och bekämpa applikationer, där du mäter tiden i tur och inte som en freeform-berättelse.
Särskild användning:
Alyssa tjuven vill stjäla nycklar från en av de två vakterna. Borok, barbarerna väljer en kamp med den andra som avledning. Medan de går på varandra, vill Alyssa smyga sig över vaktet och stjäla nycklarna medan de är på väg. Hon använder en rörelseåtgärd för att smyga och en vanlig en för att stjäla nycklarna. Den "säkra platsen" som hon vill nå är inom sitt normala snettavstånd för en enda rörelseåtgärd. Måste hon smyga sig bakom vaktet, stjäla nycklarna och vänta tills hennes nästa steg är att smyga iväg, eller kan hon göra det i en snabb rörelse?
Exempel 2: Arg orc hoppade på ett warg mount. Fästet är robust, så han måste använda sin rörelseåtgärd för att kontrollera honom i strid. Han befaller honom att ladda och överträffa en motståndare, men han vill också slash honom med sin bardiche, ett räckvidd. Kan Arg svänga sin bardiche i tid medan monteringen laddas eller måste han vänta tills han slutar rörelse? Eller behöver han vänta tills warg slutar hela laddnings-och-överkörnings-kombinationsrutan?
Exempel 3: Zif mage kastar en stavning för en full tur. Han måste också ta ett steg på 5 fot. Han vill börja casta i en fyrkant, men sluta i den andra på grund av anledningarna. Måste han antingen ta ett steg före eller efter gjutning eller kan han ta det där steget i mitten?
I allmänhet är handlingar atomoperationer: var och en måste slutföra innan en annan kan börja. Det finns dock några uttryckliga undantag. Avbrytande åtgärder (t ex omedelbara handlingar, attacker av möjligheter, beredda attacker) är en grupp undantag. Fem fots steg kan inträffa under fullrunda åtgärder. Att prata kan hända när som helst. I andra fall tillåter prestationer eller klassfunktioner vissa åtgärder att avbryta vissa andra som de vanligtvis inte kunde. Men alla dessa anges uttryckligen i texten.
En vanlig åtgärd kan inte hända mitt i en rörelseåtgärd under vanliga förhållanden. Vissa prestationer (t.ex. Flyby Attack ) ändra detta för vissa typer av rörelser, men ingen gör för att gå .
Vårangrepp låter dig göra en enda attack när du flyttar på marken, men Steal är en vanlig handling, inte en enda attack som, säger Trip är. Quick Steal feat fixar det som gör att Steal gör ett attackbyte och låter det arbeta med vårattack.
Från definitionen av en fullständig åtgärd
129481Den här raden finns tyvärr. Jag säger tyvärr, för det är helt oklart vad som händer när du gör detta i mitten av att kasta en fullrundad actionspell. Uppmuntrar du attacker av möjligheter från båda rutorna? Jag skulle gissa förmodligen ja, men det säger inte det som helst. Plus, vad händer om du har något sätt att flytta som en snabb åtgärd: kan du inte använda det, eftersom fem fotsteg är den enda rörelse du får när du tar en fullrundad åtgärd? Allt detta är oklart.
Observera att det här är en förändring i sökrobot i förhållande till 3,5; i 3,5 kan du ta fem fotsteg under en fullständig attack (mellan attacker), men inte annars.